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Counsel for indigents is a profession that is very not remunerated, decisive factor for the proper existence of counsels for indigents, beyond this factor, it has the question of the interest of the proper people in if becoming counsels for indigents, since this profession is very desgastante, being necessary great attention as for the public attendance. These and other factors contribute so that here in the Maranho it does not occur public competitions frequently, and that exactly occurring it does not possess a great attraction on the people, summarizing, so that somebody if becomes counsel for indigents, first it must be made familiar to the position of counsel for indigents, that is, it must know which the function of the counsel for indigents and its way of work. Another question that rees-echo to the Public Defensoria is the autonomy, what it could really guarantee the effectiveness of this public agency and the proper access to justice. Although already supported and recognized for the STJ (Superior Court of Justice), he would also need the participation of the STF (Superior Federal Court) so that he possessed greater autonomy, thus being able to manage situations, processes or too much cases for proper itself. The question of the infrastructure, the number of employees and the proper essential resources for the accomplishment of the cabveis functions to the counsels for indigents, as much in cabinets, processes and in the administrative area also exists.
It possesss, therefore, a great demand of processes and cases to decide, but it does not possess the adequate number of defenders who can supply the necessities of all. In So Paulo, for example, the number of counsels for indigents is 10 times bigger that in the Maranho and exactly thus do not obtain to take care of to all. On the access to justice, in particular, to the public defensoria in the Maranho, still it exists in the people, in our culture, of that it has the necessity to face lines hours before the schedule of functioning of the Public Defensoria, that old was become fullfilled of second to fifth to the 8 hours of the morning, being you deliver passwords in this schedule, causing many times lines since the previous day, making until the people passed night and the dawn, to be taken care of in the following day, however, with the change of localization of the building of the Public Defensoria, before located in the Center in So Lus and transferred to the Reviver, the side of the theater Joo of the Valley, became unnecessary that the people were waiting hours and hours until they were taken care of.
The various types of manifestations of the culture of different countries around the world play a great role in the development and expression of those places, as making an essential part of his life and represents the trends of those places. The cultural manifestations can occur in many forms, be it art, music, dance or singing, among many other forms; so between all these types of cultural manifestations, stands one that allows you to combine several factors that make this cultural expression is of great value and is flamenco, which presents a very typical of Spain style, more exactly in Andalusia, where the combination of singing, dancing and music, converted to flamenco in a beautiful and exciting cultural manifestationthat it reaches a level of acceptance and aesthetic so high that it is considered an art. As flamenco can understand would be composed of three factors, without however in the present article shall be development explicitly to chant, or expressed in the form in which is called flamenco, the sing, since, despite what many people believe, that the puno main Flamenco is dancing, singing with strength and high content that prints to this tradition steals the prominence, making vivar both body and soul. In an initial moment of flamenco, the only singing was accompanied of las palmas of the public and knuckle percussion, but more forward appeared the touch, that refers to the use of guitars to deliver musical sounds to flamenco, but with the advance of time added other elements of your touch as a piano, which harmonizes perfectly with the song. As it is well known flamenco is the expression is maximum of culture of Andalusia, in Spain, in the same way it singing as one of the greatest musical traditions of that place. The origins of flamenco singing, moved to the peoples of the East Indian, of equal way possesses great influenza of Arab traditions and perhaps the greatest influence is due to the participation of Roma peoples in much of Europe, in the singing also some influence from America can be observed Latin, which became Flemish suede thanks to various songs from countries like Colombia South America. The first expressions of flamenco as well as singing, occurs by the end of the year 800 of the presence of the Arabic Empire in Spain, in such a way the presence of cante and flamenco at its initial time, basically presented as a socio-cultural expression, in sign of protest and as a voice of hope for peoples who were oppressed by such a situationIt can be for this singing is basically a pure expression of the soul, where he is the singer, with his voice expresses and proves largely on strong sentimental content on diverse experience, showing obvious mind a link of communication on the listener, where many emotions be awakened.
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